By Kay Bratt
After an episode of prejudice rocks her often safe global, Mia hops a aircraft again to the rustic of her beginning to look for information about her beginning mom and dad, and confront the sentiments of abandonment she has stored buried all through her lifestyles. What starts off as an easy travel of the chinese language orphanage the place she spent her first few years quick turns into complex as Mia fights to untangle the internet of lies that's her discovering info. As she follows the crimson thread again via her motherland, she is enamored via the heritage and tradition of her heritage-strengthening her get to the bottom of to discover the reality, at the same time chinese language officers fight to maintain it buried. together with her unwavering spirit of decision, Mia battles the forces stacked opposed to her and faces secret, hazard, a touch of romance, and eventually a end that might swap her existence. 91,000 phrases, 344 pages.
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Additional info for Chasing China; A Daughter's Quest for Truth
Gill 1999 Although someone who has never heard Socrates speak “would simply laugh” (καταγελάσειεν) at the philosopher, a deeper inspection shows that his logoi are full of excellence (ἀρετῆς). Socrates’ multivalent nature is comparable to a nesting Silenus doll, as well as to the satyrs themselves, who demonstrate antithetical high and low qualities within one form. 14 Like Socrates, satyrs are simultaneously both lower than and superior to man. Consider, for example, the story of Silenus, who tells King Midas that the best thing for a person is to have not been born at all, and the second best is to die young (Plutarch, Moralia 115b).
On Aristotle and comedy, see Halliwell (1998, 266–76) and Janko (2002). 27 For a more detailed discussion of this passage and satyr drama’s “slight plots” and “laughable diction,” see chapter 5. ” 29 Depew (2007) and Seaford (2007) believe that Aristotle’s theory of the satyric origins of tragedy works against his comic-tragic binary and, thus, is less likely to have been invented. 26 24 | Satyric Play laughable language of the satyric ethos, and in the Nicomachean Ethics, he links satyric performance with Middle Comedy through similar descriptions of their humorous diction.
This is because of the words and phrases he uses, which are like the rough skin of an insulting satyr. He talks about pack-asses, blacksmiths, shoemakers and tanners, and seems to be always using the same words to make the same points; and so anyone unused to him or unintelligent would find his arguments ridiculous. But if you can open them up and see inside, you’ll find they’re the only ones that make any sense. You’ll also find they’re the most divine and contain the most images of virtue. Trans.