Download Buried Child: A Play by Sam Shepard PDF

By Sam Shepard

A newly revised variation of an American vintage, Sam Shepard's Pulitzer Prize successful Buried Child is as fierce and unforgettable because it was once whilst it used to be first produced greater than twenty-five years ago.

A scene of insanity greets Vince and his female friend as they come on the squalid farmhouse of Vince's hard-drinking grandparents, who appear to have no concept who he's. Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has misplaced one in every of his legs to a series observed. basically the reminiscence of an undesirable baby, buried in an undisclosed situation, can wish to convey this relations.

Show description

Read Online or Download Buried Child: A Play PDF

Similar drama books

Coming Home

Born in Colombo, Judith Dunbar spends her teenage years at boarding tuition, whereas her cherished mom and more youthful sister reside overseas along with her father. whilst her new pal Loveday Carey-Lewis invitations Judith domestic for the weekend to Nancherrow, the Carey-Lewises' attractive property at the Cornish coast, it really is love at the beginning sight.

The Cambridge Companion to Shakespeare's History Plays (Cambridge Companions to Literature)

Shakespeare's historical past performs were played lately greater than ever earlier than all through Britain, North the US, and Europe. This quantity is an available creation to Shakespeare's ancient and classical performs. accomplished in scope, it deals chapters at the person performs and bills of the style of the heritage play, Renaissance theories of heritage, and masques and pageants.

Roman Tragedy: Theatre to Theatricality

Roman tragedies have been written for over 300 years, yet in basic terms fragments stay of performs that predate the works of Seneca within the mid-first century C. E. , making it tough to outline the function of tragedy in old Roman tradition. however, during this pioneering e-book, Mario Erasmo attracts on the entire on hand facts to track the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to discover the position performed through Roman tradition in shaping the conception of theatricality off and on the level.

Das Drama der Abhängigkeit: Eine Begegnung in 16 Szenen

In diesem Sonderheft werden die zahlreichen Facetten der Abhängigkeit aus psychodramatischer Sicht beleuchtet. Dabei wird der Fokus auf die Lebenssituation (psychodramatisch gesprochen: die Lage) von Personen gelegt, die auf bestimmte Substanzen oder Verhaltensweisen angewiesen sind. Der Weg, der sie in diese Lage gebracht hat, wird beschrieben und mögliche Ausstiegsszenarien aufgezeigt.

Additional info for Buried Child: A Play

Example text

Ancient scholars knew of 130 plays attributed to Sophocles, of which they judged seven (or, according to another source, seventeen) to be spurious. Seven plays survive (details follow); there are substantial papyrus fragments of the satyr-plays The Trackers (Ichneutai) and Inachus and the tragedies Eurypylus and Niobe, but neither papyri nor ancient quotations give us anything like as much material for Sophocles as they do for Euripides. 451) Deianeira, wife of Heracles, after having had no news from him for fifteen months, learns that he has won a great victory, but also that he is bringing home a young concubine.

He makes extensive use of marching anapaests as preludes to (and occasionally substitutes for) choral odes, and also in quasi-epirrhematic alternation with lyrics. Aeschylus is consistently bold and imaginative in exploiting the visual aspects of drama. The contrast between the sumptuous dress of the Persian 6 Ionic metre is based on the unit – –. 38 THE AUTHORS Queen at her first, carriage-borne entry and the return of Xerxes alone and in rags; the chaotic entry of the chorus in Seven; the African-looking, exotically dressed Danaids and their confrontation with brutal Egyptian soldiers; the purple cloth over which Agamemnon walks to his death, and the display of his corpse in the bathtub with Cassandra beside him and Clytaemestra ‘standing where I struck’ (a scene virtually repeated in Choephoroi with a different killer and different victims); the Erinyes presented anthropomorphically on stage (probably for the first time), yet tracking Orestes like hounds by the scent of blood; the procession that ends the Oresteia, modelled on that at the Great Panathenaea – these are far from exhausting the memorable visual images in only six or seven plays, quite apart from numerous careful touches of detail (for example, at the end of Agamemnon where Aegisthus, that ‘woman’ of a man, alone of those on stage has neither weapon nor staff in his right hand).

36), leaving seventy-six genuine plays of which ten were certainly, and nine probably, satyric – exactly the right proportion to make up nineteen City Dionysia productions, of which 33 THE AUTHORS thirteen won first prize. Six of these seventy-six plays, plus Prometheus Bound, survive complete or nearly so; in addition there are seven plays of which there survive substantial papyrus fragments1 – namely, The Carians or Europa, The Myrmidons, Niobe, Semele or The Water-carriers, and the satyrplays The Isthmian Tourists (Theoroi or Isthmiastai), The Netfishers (Diktyoulkoi) and Prometheus the Firekindler.

Download PDF sample

Rated 4.88 of 5 – based on 45 votes