By Stephen Wagg
Simply because I inform a shaggy dog story or explores the advanced courting among comedy and the social ameliorations of sophistication, area, age, gender, sexuality, ethnicity and nationhood. It indicates how comedy has been used to maintain, problem and to alter energy relationships in society. The members, who comprise Stephen Wagg, Mark Simpson, Stephen Small, Paul Wells and Frances Williams, provide readings of comedy genres, texts and performers in Britain, the U.S. and Australia. the gathering additionally contains an interview with the comic Jo model. issues addressed comprise: * girls in British comedies corresponding to Butterflies and Fawlty Towers * the existence and instances of Viz, from Billy the Fish to the fats Slags * queer readings of Morecambe and clever, the male double act * the Marx brothers and Jewish comedy within the usa * black radical comedy in Britain * The Golden women, Cheers, pals and American society.
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Additional info for Because I Tell a Joke or Two: Comedy, Politics and Social Difference
Howes, Keith (1995) ‘Privates on parade’ the Guardian 15 April. Le Mesurier, John (1985) A Jobbing Actor, London: Sphere Books. Lowe, Stephen 1986) Arthur Lowe: A Life, London: Nick Hern Books. Medhurst, Andy (1989) ‘A History of Sitcom’ Pamphlet published by British Film Institute. Mitter, Swasti (1986) Common Fate, Common Bond, London: Pluto Press Newburn, Tim (1991) Permission and Control: Law and Morals in Post-War Britain, London: Routledge. Orwell, George (1941) ‘The Art of Donald McGill’, reprinted in Sonia Orwell and Ian Angus (eds) (1968) The Collected Essays, Journalism and Letters of George Orwell: Vol.
Bryce is a pedant, excessively concerned with ‘law and order’, while Meldrew is more militant in his intolerance. 5 million and its hero, with his catchphrase of ‘I don’t believe it’ has, predictably, been called ‘the voice of a bewildered society’, bereft of standards (Bedell, 1993). Leisure centre manager Gordon Brittas is a more modern species of ‘nerd’—essentially Captain Mainwaring, a classically lower middle class figure, updated to incorporate the fruits of innumerable short courses, during which he has imbibed the necessary managerial jargon and ‘good practice’.
Rigsby is a dowdier, more downtrodden Hancock—cowardly and prejudiced and, once more, redeemed only by pathos: he can’t have fun, even when it’s offered him. A similar fate befalls the miserable inspector from On the Buses, who retires to Spain with his unmarried sister in Don’t Drink the Water (LWT, two series, 1974); all that sun and sand and he can’t settle. There is also an increased recognition by sitcom writers that the pursuit of happiness can both bring its problems and take place in more than one kind of household.