By Charles Dickens
Comprises the unabridged textual content of Dicken's vintage novel plus a whole learn consultant that is helping readers achieve an intensive knowing of the work's content material and context. the great consultant contains chapter-by-chapter summaries, causes and discussions of the plot, question-and-answer sections, writer biography, analytical paper issues, checklist of characters, bibliography, and extra.
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Additional resources for A Tale of Two Cities (Study Edition)
He is always dressed in the black, puritanical costume of the puritan of that time--a person whom most people in this play would despise. Yet he is respected by Olivia, and she does wish to retain his good services. It is Malvolio's ultimate egotism which makes him an easy prey for the pranksters. Before they leave the forged, fake letter from Olivia for him, he is walking in the garden, daydreaming about the pleasures and the powers he would have if he were married to Olivia. Thus, his own sense of conceit makes him an easy dupe for the trick that is played upon him.
Consequently, she evaluates the sea captain's character, finds it suitable, and wisely places her trust in him; then she disguises herself as a boy so that she will be safe and have a man's freedom to move about without protection. Consequently, Viola is immediately seen to be quick-witted enough to evaluate her situation, of sound enough judgment to recognize the captain's integrity, resourceful enough to conceive of the disguise, and practical enough to carry out this design. Viola also has a native intelligence, an engaging wit, and an immense amount of charm.
Shakespeare. Arlington Heights, Illinois: A. H. M. Publications, 1978. , ed. Shakespeare 1564-1964. Providence: Brown University Press, 1964. BRADLEY, A. C. 1904. New York: Meridian, 1965. BROWN, JOHN RUSSELL. Shakespeare and His Comedies. London: Methuen, 1957. CAMPBELL, LILY B. Shakespeare's Tragic Heroes: Slaves of Passion. New York: Barnes & Noble, 1959. CHAMBERS, E. K. William Shakespeare. New York: Oxford University Press, 1930. CLEMEN, W. H. The Development of Shakespeare's Imagery. Cambridge: Harvard University Press, 1951.